Wednesday, March 23, 2011

Crayola Party at the EMP!



Last year, the Crayola Party was a big disappointment, but Crayola made up for it with this year's conference party at the Experience Music Project! This amazing Frank O. Gehry-designed building is a visual trip!


 
Before we actually went in this fantastic example of architecture, we watched some Northwest Coast totem pole carvers, who were beginning a totem pole dedicated to John T Williams, a First Nations Ditidaht carver fatally shot by Seattle police.





Corrie and her students Alli and Courtney enjoyed the huge Labyrinth outside the EMP.

 Generally, at the Crayola party there are some refreshments and some stations to explore Crayola products. This year, there were delicious desserts and Seattle coffee! We only saw one creative station (unless we missed something!) and that involved people creating Lattes out of Model Magic! We were in Seattle, after all!


 The EMP was a terrific music museum, including a huge tower of guitars and exhibits of Seattle native Jimi Hendrix and also incorporated a Science Fiction section on Battlestar Galactica. My favorite aspect of the EMP was the the ON STAGE interactive area where you could lip synch to a song and be videotaped with real instruments. If I can figure out how to upload the file, you may soon see the debut performance of ACTION SANDWICH! Stay tuned!

Even though we are all back home, stay tuned for more posts to come!!

Friday, March 18, 2011

Guest Blogger Laura Reeder!

Contemporary Art and Social Justice in Seattle

It is impossible to begin my Seattle NAEA story without first describing what it is like outside of the conference center. Sascha and I found a great boutique hotel (moorehotel.com) that has a view of the sound with ships, mountains, and sunsets composing new variations each day. Wednesday we had BBQ Salmon at Pike Place, Thursday it was Sushi in Belltown after spending time in the (Frank Gehry) Experience Music Project.  Oh yes, and spring is HERE. Flowers are blooming in the multi-tiered gardens!
Despite with this tempting environment, it was a pleasure to head indoors to the conference where in the first day alone, my head was filled with so many inspirations that I list them as impressions instead of trying to describe it thoroughly…so here goes:
-         -  Marit Dewhurst, Kristin Congdon, and Kimberly Powell spoke my language when they urged us to consider deeper research into social justice and community-activism;
-         -  I bypassed workshops in Dale Chihuly, Bourdieu, and Digital DIY to attend the Best Practice Lecture presented by Dr. Rolling. He inspired us all to layer our own curriculum methodologies through: thinking in a material, thinking in a language, and thinking through a context…warning us against “methodolatry” where we get stuck on one patented approach to research;
-         -  Contemporary Art was a HUGE topic for the entire day and I now have a repertoire of new artists whom I admire for their post-post-whatever approaches to art as an engaged experience. This speaks so brilliantly to the SU Art Ed way of life. We compared the works of Banksy to graffiti artists in Pompeii, we transcended history with the witty works of Phurba Namgay, and Herrel Fletcher from Portland (look him up!) is my new personal hero;
-         -  Kathie and I sat in on an INTENSE and informative “Getting Hired in Higher Ed” session (standing room only) where we were indoctrinated into the world of job talks and academic-ese. Looking for a career as a professor? Just ask us…we now have the bible in our hands;
-          - The most touching moment of the day for me was the sneak preview of the Culture as Commons: Contemporary Arts and Social Justice Issues in the Classroom (2011) book that will be printed and in our hands this October. Dr. Bey and Dr. Rolling are contributors and as part the cast of rock stars (Olivia Gude, Graeme Sullivan, etc.) that each briefly shared their own perspectives on the works of other artists through the lens of arts learning, they were poetic, fresh, and empathetic.
There is not room enough here for all of the impressions from the first day…but it gives you a peek into the depth of learning that is possible…I hope my brain can survive Friday, Saturday, and Sunday…oh yes, we begin with Mark Dion as brain-opener in the morning!

We're Here!


We've all arrived safely in Seattle and ready to be inspired by the NAEA conference! On Wednesday, before the onslaught of sessions, I took a walk with (SU alum Corrie Burdick's student at Alfred University) Katie down to the Public Market. A visual feast! Katie is a smart cookie because she had created a set of t-shirts to wear to the conference:


 SU Art Ed students take note for next year in New York City! We want to get you all there working when you graduate!

THURSDAY, Conference Day One

Today's theme was - CHOICE! Corrie and I started first thing by attending a great session with Julia Marshall from San Francisco State, who recently lectured at SU. Prof. Marshall and high school teacher Kimberly D'Adamo presented on a project on Arts-based Research put into practice. To see the work these high school students did was mind blowing as they each chose their path of research, creating visual journals and completing their visual expressions of their learning through art. Students are given a great deal of autonomy and choice in their work. One student did an investigation of this public art space in Berkeley, CA called the "Albany Bulb:" Kimberly D'Adamo remarked that her role in the class is to model how one does research as an artist. I will definitely be reading more by Julia Marshall!
My next session was Dr. Rolling's lecture, Arts-Based Research Methodologies for K-16 Curriculum Making, which discussed his research, giving contemporary art examples and how the frameworks these artists work within are applied in the art studio classroom, along with elementary school student artwork. Someone start bugging Dr. Rolling to hand out presentation notes!

One of the great things about this conference is the range of perspectives you can get from presenters who are teaching in K-12 art classrooms, and also from the many scholars whose articles we read for our coursework. It is SO exciting to see the "rock stars" of our field. These people are so accessible and willing to give you their card so you can email them a question at a later date; they truly are educators! Another session I went to was a panel discussion called, Unpredictable and Unimagined Ways of Knowing: Emergence and Art Education Curriculum. I went to this panel not only because the title intrigued me, but because one of my personal Art Education heroes is Olivia Gude. I was crushed to miss her at SU, but it was great to see how she inspires the audience with her philosophies of Art Education until they applause wildly, hoot and holler. She is a joyful educator. This panel was all about fighting the over-prescripted art lessons, probably a lot of the ones we did in school, in favor of letting student artwork unfold in unpredictable ways. Thought-provoking questions to the audience for discussion and then addressed by each of the panel members made us all question the way we teach, why we want to teach art, and how can we encourage pre-service art educators to embrace the unpredictable and imagine how much further we can all go as art educators.
I enjoyed my first Julia Marshall presentation so much that I attended another she did with Aileen Wilson,  a professor at the Pratt Institute in Brooklyn, NY. You can access the presentation at their blog on teaching with contemporary art. There's also some examples of student work here at this terrific art education blog, From Studio to Classroom.
 Exhausted but exhilarated, we all walked to a local Thai restaurant for some delicious dinner and then early to bed!